ThAct : W.B. Yeats - Poems
➡️ Hello learners. I'm a student. I'm writing this blog as a part of thinking activity. This blog is given by Dilip sir Barad. For further reading.Click here. ( Teacher's blog).
W.B. Yeats
1.Compare the treatment of war in On Being Asked for a War Poem with other war poems by Wilfred Owen or Siegfried Sassoon.
➡️ The treatment of war in W.B. Yeats's poem "On Being Asked for a War Poem" contrasts sharply with the works of Wilfred Owen and Siegfried Sassoon, who wrote some of the most impactful war poetry of World War I. Here’s an overview to help you explore the comparison:
1. "On Being Asked for a War Poem" (W.B. Yeats)
Tone and Perspective: Yeats takes a detached and apolitical stance on war. The poem is concise and reflective, focusing on the idea that poetry should transcend political propaganda or immediate public discourse.
Key Message: Yeats resists the idea of glorifying or directly addressing war, suggesting that a poet's role is not to engage in jingoism or moral judgment but to focus on universal and timeless themes. He writes:
"I think it better that in times like these
A poet’s mouth be silent, for in truth
We have no gift to set a statesman right."
Treatment of War: War is seen as a societal and political matter, not necessarily the proper subject for poetic exploration.
2. Wilfred Owen’s War Poetry
Tone and Perspective: Wilfred owen 's work is visceral, emotional, and anti-war. His poems depict the physical and psychological horrors of war, aiming to evoke empathy and a sense of the senselessness of conflict.
Key Works:
"Dulce et Decorum Est": Exposes the myth of the glory of war, vividly describing a gas attack and the suffering of soldiers.
"If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs..."
"Anthem for Doomed Youth": Questions the ceremonial and religious rhetoric used to mask the brutal reality of death in war.
"What passing-bells for these who die as cattle?"
Treatment of War: Owen portrays war as brutal and futile, criticizing those who romanticize it.
3. Siegfried Sassoon’s War Poetry
Tone and Perspective: Sassoon’s poetry is often satirical and critical of the war, highlighting the incompetence of leadership and the unnecessary suffering of soldiers.
Key Works:
"The General": A biting satire on the incompetence of military leaders.
"'Good morning; good morning!' the General said...
But he did for them both by his plan of attack."
"They": Juxtaposes the optimism of a bishop glorifying war with the harsh reality of soldiers’ injuries and trauma.
"The Bishop tells us: 'When the boys come back
They will not be the same; for they'll have fought...' "
Treatment of War: Sassoon denounces war as a product of bureaucratic arrogance, criticizing both societal complacency and leaderships.
2.Write a modernist-inspired poem reflecting on a contemporary global crisis, drawing on Yeats’s themes and techniques.
➡️ In the Shadow of the Glacier
I will not write of the glaciers breaking,
Their thunder lost in digital streams,
Nor of the silent seas rising,
Devouring names we once gave to streets.
A poet’s voice should not be a siren,
Shrieking warnings to deafened halls.
The statesman maps his numbers,
And the market hums its ceaseless song.
What gift is there in wailing truths?
What solace in shattered rhymes?
In times like these, better to thread
A needle through the fabric of time.
For what use is a word when drowned?
Or a cry that falters mid-flight?
Better to dream of seasons unspoiled,
Where the glacier still gleams in the quiet light.
Let the facts rage in the streets—
Here, I weave a tapestry thin and pale,
A whisper of a world untouched,
For poets, too, must dream in the gale.
3.Do you agree with Yeats’s assertion in 'On Being Asked for a War Poem' that poetry should remain apolitical? Why or why not?
➡️ Yeats’s assertion in "On Being Asked for a War Poem" that poetry should remain apolitical is both compelling and contentious, depending on how one interprets the role of art in society. Here’s a nuanced examination:
1. Arguments Supporting Yeats’s View
Yeats argues that poetry should transcend the immediate concerns of politics, emphasizing universal themes rather than fleeting crises. His stance suggests that:
Timelessness of Art: Political events are often transient, while poetry has the potential to address enduring truths about human existence, emotions, and morality. By remaining apolitical, poetry avoids becoming propaganda or losing relevance over time.
Independence of Art: Yeats implies that poetry’s purpose is not to serve as a tool for activism or political critique but to offer spiritual or aesthetic insight. Engaging with politics might compromise the poet’s freedom and creative integrity.
For example, in the poem, he states:
"We have no gift to set a statesman right."
This reflects his belief that poets are not equipped to resolve political conflicts, which are better handled by policymakers and activists.
2. Arguments Against Yeats’s View
However, many argue that poetry cannot and should not remain apolitical, especially in times of crisis or injustice. Poetry, as a deeply human art form, often serves as a medium to reflect and respond to the world. Consider these points:
Responsibility of the Poet: In moments of crisis, poets have a platform to speak truths that may otherwise be suppressed. Figures like Wilfred Owen and Siegfried Sassoon used their poetry to expose the horrors of war, challenging public perceptions and critiquing those in power.
The Interconnection of Art and Politics: Poetry is inherently tied to its context. By ignoring political realities, poets risk detaching themselves from the lived experiences of their audience. For example, the powerful anti-war messages in Owen’s "Dulce et Decorum Est" have resonated across generations because they confront the political and social glorification of war.
Empathy and Action: Poetry that addresses political themes can evoke empathy, provoke thought, and inspire change. It has the power to humanize abstract issues, making them more relatable and urgent
3. A Balanced Perspective
The question of whether poetry should remain apolitical depends on the poet’s intent and the context in which they write.
Artistic Freedom: Poets should be free to choose whether to engage with political issues or to focus on more abstract, universal themes. Yeats’s apolitical stance reflects his personal philosophy, but it does not diminish the importance of politically engaged poetry by others.
4. How does Yeats use imagery to convey a sense of disintegration in 'The Second Coming'?
➡️ In "The Second Coming," W.B. Yeats uses vivid and unsettling imagery to convey a profound sense of disintegration and chaos, reflecting his perception of a world on the brink of collapse. The poem’s imagery evokes a breakdown of order in both the natural and social realms, symbolizing the end of an era and the arrival of a new, uncertain epoch.
Key Ways Yeats Uses Imagery to Convey Disintegration
1. Chaotic Natural Imagery
The poem opens with an image of a falcon unable to respond to the falconer’s call:
"Turning and turning in the widening gyre
The falcon cannot hear the falconer."
Symbolism of the Falcon and Falconer: This image symbolizes a loss of control, with the falcon representing human or societal order spinning out of reach. The widening gyre evokes a vortex or spiral, emphasizing disorientation and the breakdown of stability.
Sense of Fragmentation: The natural harmony between falcon and falconer is broken, mirroring a larger cosmic and societal disintegration.
2. Apocalyptic Violence
Yeats intensifies the sense of collapse with violent and unsettling images:
"Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world."
"Things fall apart": This stark image captures the disintegration of structures—political, cultural, and spiritual—that once provided stability.
"Mere anarchy": The phrase conjures images of chaos, with traditional hierarchies and values being overwhelmed by destructive forces. The imagery of “anarchy” suggests uncontrollable violence unleashed upon society.
3. Bleak Human Imagery
Yeats uses visceral, human-centric imagery to emphasize the suffering and disorientation brought by this disintegration:
"The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned."
"Blood-dimmed tide": This image suggests a flood of violence and destruction, evoking war, revolution, and moral decay. The tide’s red hue implies that humanity is awash in bloodshed.
"Ceremony of innocence": A poignant image of purity and order being overwhelmed and extinguished, emphasizing moral collapse and the loss of innocence in a fractured world.
4. Mythic and Bestial Imagery
In the poem’s second half, Yeats introduces a mysterious and ominous creature:
"A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun."
Sphinx-like Beast: This grotesque, inhuman creature symbolizes the monstrous and alien forces emerging from the ruins of the old order. Its "pitiless" gaze underscores the cold inevitability of its arrival, suggesting that the new era will be even more terrifying than the disintegration it follows.
"Slouches towards Bethlehem": The creature’s slow, ominous movement enhances the sense of impending doom, as it approaches the birthplace of Christianity, hinting at the collapse of spiritual values and the rise of a new, threatening epoch.
Conclusion
Through his use of vivid and apocalyptic imagery, Yeats conveys a world unraveling under the weight of chaos, violence, and moral decay. From the falcon spinning out of control to the blood-dimmed tide and the monstrous beast, Yeats creates a haunting vision of disintegration that reflects his belief in the cyclical nature of history and the inevitability of profound change. This imagery not only captures a specific historical moment but also resonates universally as a meditation on periods of upheaval and transformation.
Reference:
“On Being Asked for a War Poem.” Poetry Foundation, www.poetryfoundation.org/poems/57313/on-being-asked-for-a-war-poem. Accessed 06 Jan. 2025.
"Dulce et Decorum Est.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/topic/Dulce-et-decorum-est. Accessed 06 Jan. 2025.
“The Second Coming.” Poetry Foundation, www.poetryfoundation.org/poems/43290/the-second-coming. Accessed 06 Jan. 2025.